Arella Cline, a sixteen year old teen from Wexford Pennsylvania,
finds her life turned upside down when her family summer vacation begins
with a tragic car accident which kills both of her parents. Going to
live with her Great-aunt Fi, Arella tries to start a new life on a tiny
island off the western coast of Ireland. Everything about Tory Island,
however, is objectionable to her–the gray and wet weather, the stringent
academy she is forced to attend, as well as the island’s lack of modern
day amenities. The only thing Arella likes about Tory is Declan
McQuilan, a handsome, dark-haired boy who attempts to show her the
island’s hidden charms.
But there are too many strange things happening on Tory
to make Arella feel that she could call the island home. She keeps
seeing shadow figures and strange auras and hearing her parents’
voices. The people on the island are very secretive. And when Arella
tries to leave on a ferryboat, she blacks out only to find herself back
at her aunt’s cottage as predicted by Cannon Fidelous, another teen
stranded on the mysterious island.
When Arella quits The Academy of St. Colm Cille, Father
Cillian, a kindly old priest, offers to tutor her using an ancient book
of prophecies which is now considered the history of Tory. What he
teaches her will lead to a journey into ancient magic and Tory’s cursed
past. Arella is forced to face her fears and newly discovered powers to
turn back the pages of history in order for her to return to the
present.
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Regina writes paranormal YA and is her today to talk her personal writing process. The process turned out to be really interesting and in some ways enlightening because as a reader it's very hard to appreciate the amount of research and hard work that goes into writing a book.
The Just Right Writing Process
Like
an athlete warming up for an important game, or a driver revving his engine
before the big race, a novelist needs to gear up for the big job of writing his
or her book. Just jumping right in and
writing what comes naturally is bound to lead to a disastrous end. But over-planning and lengthy outlining can
smother the brightest creative spark.
What’s a writer to do? Finding
the perfect balance between over-preparing and totally winging-it is a tough
act to balance, but by using a few simple planning techniques, any writer can walk
that fine line.
While working on my ya paranormal
fantasy, Island of Tory, I was
inspired by browsing Irish pictures and sites on the internet. I collected an abundance of information I
thought I could use to help create a fantastic story. At first, I just printed off the pictures and
articles for later reference, but soon my file became too large to keep
organized. I was losing and forgetting
things that could be vital to my story. I
decided that there had to be a better way to structure my ideas.
I thought about how I organized
snippets of information at work.
Post-its! As crazy as it sounds,
3M was the springboard to my writing process.
I’ve gotten into the habit of keeping a lot of ideas, reminders, and
important facts close at hand by using sticky notes stuck to the chalkboard at
the school where I teach. Simple? Yes. Archaic? Sure.
But effective, nonetheless.
I’m one of those people who needs
information in sight to keep it in mind, so I started cutting out pictures and
information that were key to my story and mounted them on a tri-fold board in
the form of a collage. Anything that
pertained to my characters, I glued to the first section. Clippings relevant to the setting, I attached
to the second section. And anything else
associated to the plot such as important objects, poems, quotes, or articles, I
stuck to the third section. When I was
done, I had a visual aid that documented all of my story ideas--right there in
front of me.
From there I created a number of
story element worksheets I could keep together in one neat file folder. The first was a character inventory for each
of my primary and secondary characters.
On this worksheet I included a list of characteristics such as
nicknames, religion, nationality, height, weight, eye color, complexion, hair
color and style, notable physical features, unique mannerisms, favorite slang,
flaws, favorite music, favorite foods, car make and model, education, fears,
and ambitions. This sheet made it easy
to keep my characters consistent throughout the book. No more magically mutating eye color or a
sudden change in vocabulary. Everything
about my characters was right there. I
filled out as much information as I could about each character so that they
would feel real to me, and in turn, I could make them real to the reader. Even if there was information I knew I
wouldn’t use in my story, I listed it anyway in order to get a complete
character sketch.
The next worksheet I created was for
my setting. I included a checklist for
time period, year, season, city, and region.
I also incorporated a section to catalog sensory information for the
protagonist’s home, bedroom, and any other essential buildings or rooms. Lastly, I created a map documenting where
everything was located in my fictionalized world of Tory Island. Every detail and description I needed to make
my setting came alive was in these worksheets--all before I ever started
chapter one.
Lastly, I created a plot diagram. On this worksheet I graphed not just the
usual rising and falling action, but a detailed description of how my story
would flow. I started with my
protagonist’s normal world, then the disruption, followed by a number of
mini-goals and their resolutions. At the
top of the diagram, I didn’t just have the climax of my story; I broke it down
into the protagonist’s lowest point, followed by the epiphany, the final
battle, and the achievement of the ultimate goal. The last part was the falling action and the change
that occurred in the protagonist and her world.
The completed plot diagram became my novel roadmap.
I’ve never been a lover of taking a
lot of notes, but I am a visual person.
Using a tri-fold collage along with story element worksheets gave me the
foundation I needed to create a unique and coherent story. The writing process is a bit different for
everyone, but using visual aides to get down the basic plan is a tried and true
alternative to novel outlining.
Regina M. Geither
Regina M. Geither was raised on stories of legends, curses,
and all things paranormal. Today, she is a teacher,
writer, and published author of the middle grade short story, Swamp
Stallion, part of McGraw-Hill’s Imagine It! reading
series. Her most recent publication is the young adult paranormal
fantasy novel, Island of Tory, a tale of Celtic myth and Irish
curses. Along with being an intermediate school teacher,
Regina teaches adults novel writing at Polaris Career Center. She
resides in northern Ohio and is currently working on the sequel to Island
of Tory, Cursing Stone. Find out more at www.reginamgeither.com
.
Thanks Regina M Geither for visiting.
Be sure to check out Island
of Tory is available in paperback and ebook formats on www.amazon.com
and www.loconeal.com. Find out more about me and here writing at www.reginamgeither.com.
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